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Archive for the ‘Stephen King’ Category

Stephen King’s It

Stephen King’s It

Stephen King's It

Stephen King's It

Is there anything scarier than clowns? Of course not. And who knows scary better than Stephen King? You see where we’re going. It puts a malevolent clown (given demented life by a powdered, red-nosed Tim Curry) front and center, as King’s fat novel gets the TV-movie treatment. Even at three hours plus, the action is condensed, but an engaging Stand by Me vibe prevails for much of the running time. The seven main characters, as adolescents, conquered a force of pure evil in their Maine hometown. Now, the cackling Pennywise is back, and they must come home to fight him–or, should we say, It–again. Admitting the TV-movie trappings and sometimes hysterical performances, this is a genuinely gripping thriller. As so often with King, the basic idea (the bond formed during a childhood trauma) is clean and powerful, a lifeline anchored in reality that leads us to the supernatural. –Robert Horton

The Shining

The Shining

The Shining

The Shining

Stanley Kubrick’s The Shining is less an adaptation of Stephen King’s bestselling horror novel than a complete reimagining of it from the inside out. In King’s book, the Overlook Hotel is a haunted place that takes possession of its off-season caretaker and provokes him to murderous rage against his wife and young son. Kubrick’s movie is an existential Road Runner cartoon (his steadicam scurrying through the hotel’s labyrinthine hallways), in which the cavernously empty spaces inside the Overlook mirror the emptiness in the soul of the blocked writer, who’s settled in for a long winter’s hibernation. As many have pointed out, King’s protagonist goes mad, but Kubrick’s Jack Torrance (Jack Nicholson) is Looney Tunes from the moment we meet him–all arching eyebrows and mischievous grin. (Both Nicholson and Shelley Duvall reach new levels of hysteria in their performances, driven to extremes by the director’s fanatical demands for take after take after take.) The Shining is terrifying–but not in the way fans of the novel might expect. When it was redone as a TV miniseries (reportedly because of King’s dissatisfaction with the Kubrick film), the famous topiary-animal attack (which was deemed impossible to film in 1980) was there–but the deeper horror was lost. Kubrick’s The Shining gets under your skin and chills your bones; it stays with you, inhabits you, haunts you. And there’s no place to hide… –Jim Emerson

Children of the Corn

Children of the Corn

 

Children of the Corn

Children of the Corn

 

The Original Stephen King Classic Is Back – Now With Three All-New Featurettes! Twenty-five years after its original release, it remains one of the top shockers of the ‘80s and perhaps the most popular Stephen King story adaptation ever. Something is alive in the cornfields of desolate Gatlin, Nebraska, and the town’s children will do anything to protect its horrific secret. But when a traveling couple (Peter Horton of thirtysomething and pre-TERMINATOR Linda Hamilton) are taken prisoner by the killer kid cult, their battle for survival will unleash the most unholy sacrifice of all. The day that Isaac, Malachai, He Who Walks Behind the Rows and millions of CoTC fans have been waiting for has finally arrived: The original CHILDREN OF THE CORN is back, now in Blu-ray and loaded with exclusive new Bonus Features.

The Mist

The Mist


The Mist

The Mist

 

From legendary frightmaster Stephen King and 3-time Oscar-nominated director Frank Darabont* (The Shawshank Redemption, The Green Mile) comes “one of the scariest King films since Stanley Kubrick’s The Shining” (Tasha Robinson, The Onion A.V. Club). After a mysterious mist envelopes a small New England town, a group of locals trapped in a supermarket must battle a siege of otherworldly creatures…and the fears that threaten to tear them apart. Starring Thomas Jane (The Punisher) and Oscar winner* Marcia Gay Harden (Mystic River) in one of the year’s most talked-about performances, The Mist is riveting, with “tension like an ever-tightening clamp” (Colin Covert, Minneapolis Star Tribune).

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